Showing posts with label Folklore. Show all posts
Showing posts with label Folklore. Show all posts

Friday, March 22, 2013

Above the Palm Trees/I've Got a Friend Up Thereفوك النخل\فوق إلنا خلFoug El Nakhel/Foug Ilna Khill

We've translated many an Arabic folk song here on the blog performed by various artists, but the discussion on this song is so massive and the versions so numerous that it deserves its own post. "Fog al-Nakhel (فوق النخل)" is one of the most famous Arabic songs. It originated in Iraq and quickly spread throughout the Arabic world with the advent of radio and television. One of the earliest versions was performed by Nazem al-Ghazali, but there are others by Sabah Fakhri, Ilham al-Madfai, Kazem el-Saher and many others. Of course, the verses seem to be infinite.

I've always tried to understand the song, which eventually led me to discussion forums discussing the lyrics and meaning. That's when I discovered the open secret that the lyrics are not actually فوق النخل, or "above the palm trees," but rather فوق إلنا خل, ie "I've got a friend above/up there" however you want to translate it. According to a discussion among posters in this forum here, the original composers had intended the song to be فوق النا خل (Fog ilna khell). The story behind the song is that there is a poor young man in love with a girl that belongs to a rich family, after seeing her on their big house's balcony and exchanging glances. The song became "Foq al-Nakhel (فوق النخل)" because even though it makes the meaning quite strange, the audiences liked it better, according Sabah Fakhri and others. This explains the lyrics:

I've got a friend above
I don't know if that's the shine of your cheek or a shine above (ie the moon)
I swear I don't even want her
It's ruining me/It's causing me a problem

فوق إلنا خل فوق يابا فوق النا خل فوق
مدري لامع خدك يابا مدري لامع فوق
ولله ما ريده باليني بلوة


That is pretty much the standard chorus and after that the versions diverge greatly. I'll try to add as many versions as I can here, hopefully with the help of the readers, since lyrics are surprisingly scarce.

First and foremost is the Nazem al-Ghazali (ناظم الغزالي) version:



ناظم الغزالي - فوق النخل (فوق إلنا خل)

I have no hope for my soul, you're still my beloved
Everyone gets to be with you and my destiny is to be abandoned by you
I swear she's torturing me and she has no interest in me

مالي امل بالروح يبا بعدك حبيبي بعدك حبيبي
وصلك صفى للناس يبا هجرك نصيبي
والله معذبني وماعنده امروه


Here's the version by Sabah Fakhri (صباح فخري), the legendary Syrian singer hailing from Aleppo. I haven't included the lyrics for "albulbul nagha", which he usually performs alongside "foug al nakhel".



It contains this additional verse:

Oh river, go say hi to them for me
The separation is hard for me
I miss them

بالله يا مجرى الماي يابا سلم عليهم
صعبان الفرقه علي يابا اشتقنا إليهم

Here is the Kazem el-Saher version I found on youtube.com. I'd like to point out that Kazem days no say "yaba" rather he uses "3ayni" which means about the same thing: nothing.



Here is an Ilham al-Madfai (إلهام المدفعي) version. Note the excessive palm trees in the video.



Here's some new verses, I'll do my best:

Your cheek shined, my love, and lit up the country
I can't make my soul patient or bear this separation
I swear she's torturing me with her beautiful eyes

All the faces pass, and my eyes are only on yours
May the lord give you my love
I swear she's torturing me and she has no interest

خدك لمع ياهواي وأضوى على البلاد
مقدر أصبر الروح واتحمل البعاد
والله معذبني بعيونه الحلوة

كل البلام تفوت يابه عيني على بلمك
ومن الهوى والروح ربي يسلمك
والله معذبني وما عنده مروة

There's more versions available, but I don't really have lyrics for them.

Here is a stupid version by Dania (دانيا)



Here is George Wassouf (جورج وسوف)



Here is Palestinian band Zaman (زمان) with a flamenco version

Monday, July 25, 2011

Sana Mousa - Your Eyesسناء موسى - عيونكOyounik

Sana Mousa is a Palestinian singer who sings mainly folk songs.



Sana Musa - Your Eyes

My bird, you'd say (maybe "you'd swear" in English to convey the meaning of extreme impeccability) that her eyes are like cups
Cups full of coffee

Your beautiful, dark eyes
Oh your eyes

My bird, you'd say that her teeth were coral (whitish coral I'm assuming)
Coral mixed with pearl

Your beautiful, dark eyes
Oh your eyes

سناء موسى - عيونك

وعيونها يا طير وتقول فنجان
فنجانة بالقهوه ممتليه
يا عيونك سود وحلوه
يا عيونك

وسنونها يا طير وتقول مرجان
مرجانة على اللولو مختليه
يا عيونك سود وحلوه
يا عيونك

Thursday, July 21, 2011

Samira Tawfiq - Stop Coming to Our Neighborhoodسميرة توفيق - بسك تيجي حارتناBassek Tiji Haretna

Samira Tawfiq (also Tawfik, Toufic, Toufiq etc) is a Lebanese singer who became very popular in 70s and 80s (and was a minor obsession, for example, in Mohamed al-Maghout's "I Will Betray My Country سأخون وطني"). Her style is heavily influenced by the folk music and dialects of rural Lebanese society much like Najwa Karam in the following generation.



Samira Tawfiq - Stop Coming to Our Neighborhood

Stop coming to our neighborhood (my dear)
And looking all around us (oh God) (here titlaffat تتلفت describes the action of wandering around the neighborhood looking at everybody kind of turning the head when something interesting, like girls for example, pass by)
Are your eyes on our neighbor? (my dear)
Or are your eyes on us/me? (oh God)

What brought you to our neighborhood anyway (my dear)
You're hiding in the alleys (my God)
You won't find any brides here (my dear)
Waya 3awayd al-khizrani (my God) (عويد الخيزراني is apparently a beating stick, so she's saying that he won't find any girls that like you here, just a stick to beat you back)

Between Beirut and Damascus/Sayda/Hamra etc (the folk song allows for variations to mention different locations that the listeners might be familiar with or be from, this implies that the audience/speaker in the song is in a village somewhere along the road between two points)
A red car passed by (in other verses she says a white car or a green car for variation)
That was your car my dear
I knew it from the license plate

سميرة توفيق - بسك تيجي حارتنا

بسك تجي حارتنا (يا عيوني)
وتتلفت حوالينا (الله الله)
عينك على جارتنا (يا عيوني)
ولا عينك علينا (الله الله)

وايش جابك على حارتنا
وتتخبى بالقراني
وعرايس ماكو عندنا
ويا عويد الخيزراني

بين بيروت وبين الشام
مرقت سيارة حمرا
وهاي سيارتك حبيبي
وانا عرفتها من النمرة

Sunday, October 18, 2009

Lena Chamamyan - Before Dinnerلينا شماميان - قبل العشاQabl El Isha



Lena Chamamian - Before Dinner

Not before dinner sir
After dinner yes, yes

With who can I send my greetings to you
With my soul (literally "apple of the eye") or my heart?
Oh lighting send them my regards whenever you strike

When you were far away I used to hear your news
Now that you're close I can't stop looking at you

I won't die, no I won't die even if they bring the burial shroud I won't
I'll go down to the Straight Street market and have a coffin made
One nail made of silver and gold and the other nail of ruby
The people will be amazed when they see us both in the coffin

You have a apricot tree in your house and we have a peach tree in ours
The apricot tree has leaned towards the peach tree (it makes a little more sense in Arabic, but to lean towards someone means to like them so it's a play on words)
Quit coming and going
Oh lord give us some rain, the Earth is longing (also a metaphor)

لينا شاماميان - قبل العشا

قبل العشا لا يا سيدي وبعد العشا ايه وايه

مع مين ومع مين ارسلك سلام مع مين
يامهجة العين ويا كبد الحشا مع مين

يا برق سلم عليهم كل ما تلمع
كنتو بعيدين و باخبار إلكم نسمع
صرت قريبين وما تطليع ما نشبع

ما موت وما موت ولو جابو الكفن ما موت
لانزل عسوق الطويل وفصل التابوت
مسمار من فضة ودهب ومسمار من ياقوت
وتتعجب المسكونة و تنين بالتابوت

بداركم مشمشة وبدارنا خوخة
يا شجرة المشمشة مالت على الخوخة
حاجي تروح وتجي من تحت هالطاقة
يا رب رشقة مطر والأرض مشتاقة

Wednesday, September 23, 2009

The Rosanna عالروزانا الروزاناAl Rozana

The song "Al Rozana (ع الروزانا)" is a folk song native to the region of the Levant or بلاد الشام, ie Syria, Lebanon, and Palestine. The story behind it is that at the height of the intense wheat famine that the region experienced at the beginning of the 20th century, and Italian ship called "The Rosanna" was said to have been sent carrying food to the starving population of the Levant. Everybody was waiting in anticipation for the ship's arrival, but when it finally landed as the story goes in the song, it was carrying nothing but apples and grapes, on of the foods that the region was actually overflowing with at that time. The people cursed the ship for this reason.

Here are the lyrics.

Oh the Rosanna, the Rosanna, everything good is inside her
What has the Rosanna done?
God punish her!
Oh the Rosanna the Rosanna, all happiness is inside her
What has the Rosanna done?
God punish her

Hey you who are going to Aleppo, my love went with you
Hey you who are carrying grapes and on top of that apples
Everyone is with their beloved and my beloved has gone
Oh lord, may the breeze bring my lover back to me

عالروزانا عالروزانا كل الحلى فيها
شو عملت الروزانا ألله يجازيها
عالروزانا عالروزانا كل الهنا فيها
شو عملت الروزانا الله يجازيها
يا رايحين ل حلب حبي معاكم راح
يا محملين العنب فوق العنب تفاح
كل من حبيبه معه وأنا حبيبي راح
يا ربي نسمة هوى ترد الولف ليا


In an article in al-Watan, Bandar Khalil explains the cultural significance of this event in the present day like this:

With this genuine Arabic song, many questions arise in the mind of the genuine Arab. For example, how many of our people have had all of their rosy dreams met with dark disappointment, and all their hopes were squandered on an endless range of despair, frustration and helplessness? How many of us have waited and were patient and bore all of the their pain, only to find that when our Rosanna came and dropped anchor in the harbor of their dreams, nothing came out of it... We as an Arab people that has spent its whole life waiting for numerous "Rosannas" which still have never arrived, while carrying further disappointment for our dreams, how many times must we hear this song each day?

Yet, we shouldn't take this song as perceived by every listener as a song that sums up the broken dreams of the Arab people. Nonetheless, the theme of disappointment pervades discussion of the song. One poster in another forum describes the song as perfect for expression the feeling of disappointment by some soccer team. The point is this folk song is very much a song about getting your hopes up only to find that the thing you were waiting for was a mirage.

I've supplied many different versions so everyone can find their favorite.

Sabah Fakhri (صباح فخري)



Tony Hana (طوني حنا) with Gypsy Band



Lena Chamamian (لينا شماميان)



Amal Marcus (أمل مرقص)